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    <title>@ege’s internet weblog - internet weblog</title>
    <link>https://hypersubject.net/https://hypersubject.net/</link>
    <description>All entries in internet weblog on internet weblog</description>
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    <lastBuildDate>Sun, 01 Mar 2026 22:41:17 +0300</lastBuildDate>
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        <title>busy, busy, busy</title>
        <link>https://hypersubject.net/posts/busy-busy-busy/</link>
        <pubDate>Sun, 01 Mar 2026 22:41:17 +0300</pubDate>
        <author>ege </author>
        <guid>https://hypersubject.net/posts/busy-busy-busy/</guid>
        <description>&lt;p&gt;&lt;em&gt;Another Sunday, another weekly reflection.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;This was a really busy week. I worked more than 8 &lt;strong&gt;full-focus&lt;/strong&gt; hours every
single weekday. This means I probably spent more than 10 hours in front of the
computer. It&amp;rsquo;s a lot! Thankfully this week was a 4-day week so I had time to
rest.&lt;/p&gt;
&lt;p&gt;On Friday I spent the whole day working on my sculpture. The bust is coming
along. I decided to do something strange (as I usually do) and make it half
female and half male. I don&amp;rsquo;t know how I will do the transition smoothly in the
middle of the face but we&amp;rsquo;ll see.&lt;/p&gt;
&lt;p&gt;The biggest thing this week was seeing Louis C.K., my favorite comedian, live
in Istanbul. It was amazing. He&amp;rsquo;s the king of uncomfortable topics and no one
does body horror like him. Seeing him live was an incredible experience, I feel
very lucky to have had the chance.&lt;/p&gt;
&lt;p&gt;I tried to see Louis before, in 2022. He was going to do a show in Kyiv on
February 25. I bought tickets and went to Ukraine. On February 24, the war
started. Yes, I was in Ukraine at the time (maybe I will write that story here
some day). A day before the Istanbul show, I jokingly said that USA is going to
attack Iran on the day of the show. My friend laughed at me for believing such
superstitious shit. On Saturday morning he sent me the news about Israel&amp;rsquo;s
bombing of Tehran. I told you so!&lt;/p&gt;
&lt;p&gt;It didn&amp;rsquo;t affect the show though and I managed to see Louis this time. Writing
this makes me a bit ashamed of myself. People&amp;rsquo;s homes are bombed and I am
grateful because it didn&amp;rsquo;t affect my Saturday evening plans. My father used to
say that we are like antelopes. Our fellows are mauled to death right in the
corner and we keep chewing the grass until it&amp;rsquo;s our turn.&lt;/p&gt;
&lt;p&gt;I wrote about &lt;a href=&#34;https://hypersubject.net/posts/the-great-vibepression/&#34;&gt;the upcoming war&lt;/a&gt; at the
beginning of this year. I don&amp;rsquo;t know at which point history books will start
the third great war in the future—or whether there will be history books or
humans to read them—but it&amp;rsquo;s happening right now. It&amp;rsquo;s crazy how contingent
everything is. The world is in the middle of a political crisis on top of the
economic one. But in the end, we are heading to this war because of a handful
of people&amp;rsquo;s personal agendas—Netanyahu&amp;rsquo;s imperialist ambitions and Trump&amp;rsquo;s need
to get away from Epstein. &lt;em&gt;Busy, busy, busy.&lt;/em&gt;&lt;sup id=&#34;fnref:1&#34;&gt;&lt;a href=&#34;#fn:1&#34; class=&#34;footnote-ref&#34; role=&#34;doc-noteref&#34;&gt;1&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;p&gt;A few hours before writing these lines, we watched &lt;em&gt;Sinners (2025)&lt;/em&gt;. I
really enjoyed it but I don&amp;rsquo;t see why it has record-breaking number of Oscar
nominations. It definitely didn&amp;rsquo;t feel that groundbreaking to me. Nevertheless,
the racial tensions were perfectly portrayed. And the music&amp;hellip; I am writing
this while listening to the soundtrack. The scene where Sammie sings &amp;ldquo;&lt;em&gt;I Lied
to You&lt;/em&gt;&amp;rdquo; deserves an Oscar.&lt;/p&gt;
&lt;p&gt;Ah, also I wrote &lt;a href=&#34;https://hypersubject.net/posts/the-designated-rebel/&#34;&gt;The Designated Rebel&lt;/a&gt; this
week. It had been sitting on my backlog for a long time. I don&amp;rsquo;t think I did a
good job writing it but I am happy that I did it anyway. Someday I&amp;rsquo;ll revisit
it and do it the justice it deserves.&lt;/p&gt;
&lt;div class=&#34;footnotes&#34; role=&#34;doc-endnotes&#34;&gt;
&lt;hr&gt;
&lt;ol&gt;
&lt;li id=&#34;fn:1&#34;&gt;
&lt;p&gt;I didn&amp;rsquo;t like &lt;em&gt;Cat&amp;rsquo;s Cradle&lt;/em&gt; much when I read it but it&amp;rsquo;s crazy how
much I think about it. I wonder if I have any other examples of something like this.&amp;#160;&lt;a href=&#34;#fnref:1&#34; class=&#34;footnote-backref&#34; role=&#34;doc-backlink&#34;&gt;&amp;#x21a9;&amp;#xfe0e;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;/div&gt;
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        <title>The Designated Rebel</title>
        <link>https://hypersubject.net/posts/the-designated-rebel/</link>
        <pubDate>Fri, 27 Feb 2026 23:51:17 +0300</pubDate>
        <author>ege </author>
        <guid>https://hypersubject.net/posts/the-designated-rebel/</guid>
        <description>&lt;p&gt;A while ago, during a sprint retrospective, I suggested significant changes to
our &amp;ldquo;Definition of Done.&amp;rdquo; When I finished, the room went quiet. What did that
silence mean?&lt;/p&gt;
&lt;p&gt;The silence lasted nearly a minute. Why was no one saying anything? Finally,
the PM broke the tension by prompting the team:&lt;/p&gt;
&lt;figure&gt;&lt;img src=&#34;https://hypersubject.net/images/the-designated-rebel/meeting-0.png&#34;&gt;
&lt;/figure&gt;

&lt;p&gt;His comment further irritated me. I wondered: &lt;em&gt;Are we really going to operate
like this, where I suggest a top-down change and everyone silently accepts the
new rules?&lt;/em&gt; So, I protested.&lt;/p&gt;
&lt;figure&gt;&lt;img src=&#34;https://hypersubject.net/images/the-designated-rebel/meeting-1.png&#34;&gt;
&lt;/figure&gt;

&lt;p&gt;After the meeting, I couldn&amp;rsquo;t stop reflecting on it. A quote from Žižek began
racing through my mind: &amp;ldquo;&lt;em&gt;Those in power often prefer even a critical
participation to silence.&lt;/em&gt;&amp;rdquo; I told myself I spoke up to allow people to be
active participants in decisions affecting their day-to-day lives. But then I
had to ask: Did I say what I said because I was in a position of power?&lt;/p&gt;
&lt;p&gt;At the moment, I thought the PM was interpreting the silence as agreement and
that his comment was calcifying the team&amp;rsquo;s passivity. Later, I realized the
opposite was true. He was the one trying to break their stagnation; his joke
was the perfect bait. It was an invitation for the team to engage.&lt;/p&gt;
&lt;p&gt;This led me to a sad realization: my objection achieved the exact opposite of
what I intended. It only made everyone more comfortable in their passivity. By
jumping in to &amp;ldquo;defend&amp;rdquo; their right to speak, I became the Designated Rebel. I
allowed them to stay passive while feeling good about having a champion. Now
they know someone will always speak up &amp;ldquo;for&amp;rdquo; them. I had become part of the
very power structure I was trying to resist.&lt;/p&gt;
&lt;p&gt;So, did I speak up because I was in a position of power? Was I trying to keep
the team busy with &amp;ldquo;pseudo-activities&amp;rdquo; so that nothing changes while a lot is
happening?&lt;/p&gt;
&lt;p&gt;Modern politics often functions this way. There is an ever-present urge to be
active and to participate. We tweet, we condemn, and we protest—all within the
coordinates of the system. We do a lot so that, ultimately, nothing really
changes. Our critical participation is exactly what allows the system to
function.The best example of this is Žižek&amp;rsquo;s neurotic, who endlessly talks on
the divan because a moment of silence might result in the analyst asking a
crucial question.&lt;/p&gt;
&lt;p&gt;While the passivity of subjects might give them breathing space to see the
underlying mechanism behind politics, in a space where decisions are made from
the bottom up, it simply locks everything down. If people refuse to participate
in a democratic space, there is no moving forward.&lt;/p&gt;
&lt;p&gt;Contemporary democracy is often an illusion to obscure the fact that a minority
rules over an enormous majority. In that context, whatever keeps us busy
enough—discourse, work, pleasures—to avoid revolting is &amp;ldquo;good&amp;rdquo; for the system.
However, in a team that runs on democratic principles, decisions &lt;em&gt;require&lt;/em&gt;
participation. Without the critical engagement of my teammates, whatever I
suggest is impossible to truly implement. My &amp;ldquo;power&amp;rdquo; over them is only the
influence I’ve earned—or perhaps I am in power and completely blinded by the
fact that my &amp;ldquo;rebellion&amp;rdquo; is just the grease on the wheels of their silence.&lt;/p&gt;
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        <title>On Writing, Envelopes, and the Female Gaze</title>
        <link>https://hypersubject.net/posts/on-writing-envelopes-and-the-female-gaze/</link>
        <pubDate>Sun, 22 Feb 2026 20:09:17 +0300</pubDate>
        <author>ege </author>
        <guid>https://hypersubject.net/posts/on-writing-envelopes-and-the-female-gaze/</guid>
        <description>&lt;p&gt;&lt;em&gt;Another Sunday, another weekly reflection post.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;This is the 8th week since I created hypersubject.net. The effects of this experiment are already tangible. Compared to last year, I have already spent twice as many hours working on my blog(s) and nearly half that time writing even though we are only two months into 2026. I have already published 12 posts this year, which is far more than my total output for all of 2025.&lt;/p&gt;
&lt;p&gt;Two weeks ago, I decided to write a blog post every day. Unfortunately, it didn’t work out. It’s better to focus on what I can accomplish rather than beating myself up for things I simply cannot. This week, I visited an exhibition of Bedri Rahmi Eyüboğlu&amp;rsquo;s drawings on the envelopes of his letters. In one of the letters, he writes about how writing letters is difficult and requires one to find an opportune time for it. It’s exactly the same for blog posts; they demand their own time and space to emerge.&lt;/p&gt;
&lt;figure&gt;&lt;img src=&#34;https://hypersubject.net/images/on-writing-envelopes-and-the-female-gaze/eyuboglu.jpeg&#34;
    alt=&#34;Bedri Rahmi Eyüboğlu, Autoportrait on envelope&#34; width=&#34;400&#34;&gt;&lt;figcaption&gt;
      &lt;p&gt;Bedri Rahmi Eyüboğlu, Autoportrait on envelope&lt;/p&gt;
    &lt;/figcaption&gt;
&lt;/figure&gt;

&lt;p&gt;My wife and I started watching &lt;em&gt;The Museum of Innocence&lt;/em&gt;, a miniseries based on Orhan Pamuk’s novel. When she first suggested it, my initial reaction was negative—I have a natural aversion to anything popular. But I caved, and I’m glad I did. This might be one of the best things I’ve watched in my native language. And the directing&amp;hellip; Zeynep Günay is doing something magical. In many scenes, I thought, “Where has this level of directing been in other Turkish works?” I haven’t read the novel, but I am certain the director’s female perspective has only elevated the story. One could talk about obsession, repetition, and the &lt;em&gt;objet petit a&lt;/em&gt; for hours. I would, if I were Žižek—but I am not.&lt;/p&gt;
&lt;p&gt;Speaking of the female perspective on the silver screen, this week I watched &lt;em&gt;Hamnet&lt;/em&gt;, directed by Chloé Zhao. It’s easily the best movie I’ve seen recently. I don’t think it’s enough to say the movie is feminine; I would say the movie &lt;em&gt;is&lt;/em&gt; a woman&lt;sup id=&#34;fnref:1&#34;&gt;&lt;a href=&#34;#fn:1&#34; class=&#34;footnote-ref&#34; role=&#34;doc-noteref&#34;&gt;1&lt;/a&gt;&lt;/sup&gt;. It tells the story of William Shakespeare by telling the story of his wife, Agnes Hathaway. If I could describe the feelings the movie awakened in me, I would be a candidate to put my name right up there with Shakespeare himself.&lt;/p&gt;
&lt;figure&gt;&lt;img src=&#34;https://hypersubject.net/images/on-writing-envelopes-and-the-female-gaze/hamnet.png&#34;
    alt=&#34;It was impossible to hold back tears in this scene.&#34; width=&#34;700&#34;&gt;&lt;figcaption&gt;
      &lt;p&gt;It was impossible to hold back tears in this scene.&lt;/p&gt;
    &lt;/figcaption&gt;
&lt;/figure&gt;

&lt;div class=&#34;footnotes&#34; role=&#34;doc-endnotes&#34;&gt;
&lt;hr&gt;
&lt;ol&gt;
&lt;li id=&#34;fn:1&#34;&gt;
&lt;p&gt;&lt;em&gt;Portrait of a Lady on Fire&lt;/em&gt;, written and directed by Céline Sciamma, was also like this.&amp;#160;&lt;a href=&#34;#fnref:1&#34; class=&#34;footnote-backref&#34; role=&#34;doc-backlink&#34;&gt;&amp;#x21a9;&amp;#xfe0e;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;/div&gt;
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        <title></title>
        <link>https://hypersubject.net/microposts/2026-02-17t08-13-40/</link>
        <pubDate>Tue, 17 Feb 2026 08:13:40 +0300</pubDate>
        <author>ege </author>
        <guid>https://hypersubject.net/microposts/2026-02-17t08-13-40/</guid>
        <description>&lt;p&gt;In the spirit of the &lt;a href=&#34;https://hypersubject.net/posts/yearning-for-a-digital-community/&#34;&gt;previous post&lt;/a&gt;, you&amp;rsquo;re invited to &lt;a href=&#34;https://matrix.to/#/!XVrefWCUFalLxKuENh:matrix.org?via=matrix.org&#34;&gt;Base&lt;/a&gt;. Why Base? It&amp;rsquo;s &lt;a href=&#34;https://www.jwz.org/blog/2026/02/all-your-base-slight-remaster/&#34;&gt;the 25th anniversary&lt;/a&gt; of &lt;em&gt;&amp;ldquo;All Your Base Are Belong To Us&amp;rdquo;&lt;/em&gt;.&lt;/p&gt;
&lt;figure&gt;&lt;img src=&#34;https://hypersubject.net/images/all-your-base.jpg&#34; width=&#34;300&#34;&gt;
&lt;/figure&gt;

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        <title>yearning for a digital community</title>
        <link>https://hypersubject.net/posts/yearning-for-a-digital-community/</link>
        <pubDate>Sun, 15 Feb 2026 22:09:17 +0300</pubDate>
        <author>ege </author>
        <guid>https://hypersubject.net/posts/yearning-for-a-digital-community/</guid>
        <description>&lt;p&gt;I find myself once again yearning for a digital community. I believe the future of social media (for me) is some kind of invite-only group chat where the conversation flows like a river. It might live in Discord, Slack or even IRC, I don&amp;rsquo;t care&lt;sup id=&#34;fnref:1&#34;&gt;&lt;a href=&#34;#fn:1&#34; class=&#34;footnote-ref&#34; role=&#34;doc-noteref&#34;&gt;1&lt;/a&gt;&lt;/sup&gt;. Physical community is important but as a millennial I need text-based friendships too.&lt;/p&gt;
&lt;p&gt;On Friday, I got a message from kerey on WhatsApp saying that &amp;ldquo;there is a need for a non-normie consortium&amp;rdquo;. It triggered a long conversation about the normie/non-normie dichotomy and whether this type of distinction is elitist or not. I collected my thoughts on this in &lt;a href=&#34;https://hypersubject.net/posts/against-the-non-normie/&#34;&gt;Against the Non-Normie&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;This type of interactions is at the heart of my ideal community. An off-hand remark starts a discussion where we argue and develop the idea and in the end this turns into some kind of writing. Then this writing gets responses from other members in the community in a variety of forms. A community that perpetually creates discourse for discourse&amp;rsquo;s sake.&lt;/p&gt;
&lt;figure&gt;&lt;img src=&#34;https://hypersubject.net/images/yearning-for-a-digital-community/digital-community.png&#34; width=&#34;400&#34;&gt;
&lt;/figure&gt;

&lt;p&gt;This is not something that I might just land on. This type of community requires someone to build it from the ground up. &amp;ldquo;Somebody has to, and no one else will.&amp;rdquo;&lt;/p&gt;
&lt;p&gt;Speaking of &lt;a href=&#34;https://hypersubject.net/posts/against-the-non-normie/&#34;&gt;Against the Non-Normie&lt;/a&gt;, I feel a bit uncomfortable about that piece. I believe what I said there but I feel uneasy because of the process I wrote it with. During our conversation, kerey raised the similarity between non-normies and queer community. Since gender studies and queer theory are not my forte, I asked Gemini to make the connection:
&lt;figure&gt;&lt;img src=&#34;https://hypersubject.net/images/yearning-for-a-digital-community/gemini.png&#34; width=&#34;500&#34;&gt;
&lt;/figure&gt;
&lt;/p&gt;
&lt;p&gt;So I used AI. This might be an acceptable use of AI but I also copied two sentences from its output:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&amp;ldquo;The &amp;rsquo;normal&amp;rsquo; (heteronormative) subject only exists because it has successfully &amp;lsquo;cast out&amp;rsquo; (abjected) anything that threatens its boundaries.&amp;rdquo;&lt;/li&gt;
&lt;li&gt;&amp;ldquo;Reclaiming &amp;lsquo;Queer&amp;rsquo; is an act of strategic essentialism; it&amp;rsquo;s taking the site of your own exclusion and turning it into a fortress for survival.&amp;rdquo;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;These are not things I couldn&amp;rsquo;t write myself but they were just sitting there for me to copy them. But the fact that I copied them verbatim into my post makes me feel ashamed. I don&amp;rsquo;t believe this stains the whole post and makes it slop though. Maybe I think too black-and-white about the AI problem. This will be a problem I will need to navigate in the near future.&lt;/p&gt;
&lt;div class=&#34;footnotes&#34; role=&#34;doc-endnotes&#34;&gt;
&lt;hr&gt;
&lt;ol&gt;
&lt;li id=&#34;fn:1&#34;&gt;
&lt;p&gt;My preference would be an IRC server to scratch my hacker itch, but it&amp;rsquo;s hard enough to make people join a Slack workspace.&amp;#160;&lt;a href=&#34;#fnref:1&#34; class=&#34;footnote-backref&#34; role=&#34;doc-backlink&#34;&gt;&amp;#x21a9;&amp;#xfe0e;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;/div&gt;
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        <title>Against the Non-Normie</title>
        <link>https://hypersubject.net/posts/against-the-non-normie/</link>
        <pubDate>Fri, 13 Feb 2026 00:00:00 +0000</pubDate>
        <author>ege </author>
        <guid>https://hypersubject.net/posts/against-the-non-normie/</guid>
        <description>&lt;p&gt;&amp;ldquo;Normie&amp;rdquo; is a volatile term. Depending on the context, it might refer to atheists, New Agers, people who watch Netflix, people who don&amp;rsquo;t do drugs, conservatives, liberals, people who care about politics, people who don&amp;rsquo;t care about politics, people who are optimistic about the future, people who are pessimistic about the future, people who read only fiction, people who don&amp;rsquo;t read at all, people who read Kant, people who enjoy dancing in the club, people who don&amp;rsquo;t enjoy dancing, or people who are monogamous. In the end, &amp;ldquo;normie&amp;rdquo; is a signifier that points to the outgroup.&lt;/p&gt;
&lt;p&gt;If something is in, it means something is out. The outgroup plays a constitutive role for the ingroup identity. The ingroup stabilizes its identity through outgroup. In this sense, normies are needed for non-normies to be able to define themselves.&lt;/p&gt;
&lt;p&gt;Does this sound like queer theory? If you define the queer as someone who can&amp;rsquo;t be confined in heteronormative terms, then non-normies are intellectual queers? On the surface level it seems like this claim has a point. Queers and non-normies really look alike from afar. They both define themselves against a center and use transgression as a tool. You need to look close to tell the difference.&lt;/p&gt;
&lt;p&gt;The &amp;ldquo;normal&amp;rdquo; (heteronormative) subject only exists because it has successfully &amp;ldquo;cast out&amp;rdquo; (abjected) anything that threatens its boundaries. The queer person is the excess, the waste that is refused by the system. Reclaiming &amp;ldquo;Queer&amp;rdquo; is an act of &lt;a href=&#34;https://en.wikipedia.org/wiki/Strategic_essentialism&#34;&gt;strategic essentialism&lt;/a&gt;; it&amp;rsquo;s taking the site of your own exclusion and turning it into a fortress for survival.&lt;/p&gt;
&lt;p&gt;Is it possible to say the same for the &amp;ldquo;non-normie&amp;rdquo;? Does that identity begin with the experience of being the object of the system&amp;rsquo;s disgust? No, non-normie doesn&amp;rsquo;t claim to be cast out. They claim to be superior to the system. In their case, the direction of abjection is flipped: by labelling others as &amp;ldquo;normies&amp;rdquo; or &amp;ldquo;NPCs,&amp;rdquo; they are the ones performing the act of abjection. They cast the &amp;ldquo;normal human&amp;rdquo; out as something less-than-human—mindless, soulless, rule-following automata.&lt;/p&gt;
&lt;p&gt;Contrary to the bottom-up identity of &amp;ldquo;queer&amp;rdquo;, non-normie is a top-down and elitist exclusion. It follows the familiar script of right-wing hierarchies, where the world is divided into an enlightened ingroup and a mindless, discardable mass. &amp;ldquo;Non-normie&amp;rdquo; ideology believes in a natural and immutable hierarchy between people. Non-normie doesn&amp;rsquo;t want a more inclusive world; they want a world where NPCs recognize their own inferiority.&lt;/p&gt;
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        <title>To Say Something</title>
        <link>https://hypersubject.net/posts/to-say-something/</link>
        <pubDate>Wed, 11 Feb 2026 00:00:00 +0000</pubDate>
        <author>ege </author>
        <guid>https://hypersubject.net/posts/to-say-something/</guid>
        <description>&lt;p&gt;Just finished another session of psychoanalysis. Analysis is by far the thing I least enjoy every week. I mean, it works, at least for me, but it&amp;rsquo;s definitely not something I look forward to. Because it demands me to say the Thing.&lt;/p&gt;
&lt;p&gt;What&amp;rsquo;s the Thing? No one knows. Is there even a Thing? Probably not. But its non-existence doesn&amp;rsquo;t mean that it has no effects. Structurally, the analyst occupies the position that demands you to say the Thing. How you react to this feeling is the basis of the analytical relationship between you, the analysand, and the analyst.&lt;/p&gt;
&lt;p&gt;I&amp;rsquo;ve spent entire sessions speaking to fill the air. I made sounds with my tongue and mouth which were somehow intelligible to the analyst, but they didn&amp;rsquo;t have any substance in them. I spoke just to get through the session. What I said didn&amp;rsquo;t go anywhere, didn&amp;rsquo;t unfold into anything, didn&amp;rsquo;t resurface something forgotten. The worst part is I said them knowing I was not saying anything important.&lt;/p&gt;
&lt;p&gt;Sometimes I managed to say something. It was not the Thing, of course, but wrestling with the impossibility of saying the Thing made me say something important. I usually don&amp;rsquo;t know that I&amp;rsquo;ll say something substantial until words come out of my mouth. I love those moments. How can I have these kinds of moments more, rather than the hollow talk above? I don&amp;rsquo;t know.&lt;/p&gt;
&lt;p&gt;But there&amp;rsquo;s one thing I am sure of: Hollow sessions aren&amp;rsquo;t wasted time. Without the frustration of that hollowness, I never would have said anything. There are &amp;ldquo;one shot, one opportunity&amp;rdquo; moments in life where you really ought to say something, and those moments come to those who are in the game.&lt;/p&gt;
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        <title></title>
        <link>https://hypersubject.net/microposts/2026-02-10t20-53-57/</link>
        <pubDate>Tue, 10 Feb 2026 20:53:57 +0300</pubDate>
        <author>ege </author>
        <guid>https://hypersubject.net/microposts/2026-02-10t20-53-57/</guid>
        <description>&lt;p&gt;Daily blogging is definitely not easy. I couldn&amp;rsquo;t write a post today :(&lt;/p&gt;
&lt;p&gt;I am writing this from the drafts.app and will publish it via an action. I hope I don&amp;rsquo;t turn this site into twitter. Although, since it&amp;rsquo;s my site, I can do whatever I want. This is my home; I can behave however I want here. Twitter, on the contrary, feels like a town hall. Yeah it&amp;rsquo;s crowded, so no one really pays attention to you, but it&amp;rsquo;s still a public place. I don&amp;rsquo;t want to go crazy in the middle of a town hall. But if you are at my home (my blog), my rules apply.&lt;/p&gt;
</description>
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        <title>Meditations on Collectivity</title>
        <link>https://hypersubject.net/posts/meditations-on-collectivity/</link>
        <pubDate>Mon, 09 Feb 2026 23:59:17 +0300</pubDate>
        <author>ege </author>
        <guid>https://hypersubject.net/posts/meditations-on-collectivity/</guid>
        <description>&lt;p&gt;&lt;em&gt;I wrote five different paragraphs to start this post and couldn&amp;rsquo;t stitch any of them together. So here are all five fragments.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;My ability to do good is limited by my ability to work with others.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;Three years ago multiple earthquakes devastated the southeastern region of Turkey. The things we saw were unimaginably bad. Within a few days people started organizing to collect food, clothes, sanitary products etc. I participated in none of it. One day, I felt disgusted with myself. A disaster happened; people were trying to collectively do what they can and I did nothing. Was I really this distant from the people around me? The answer was yes—I was that distant and alienated. I guess it&amp;rsquo;s no coincidence that I was also depressed as fuck.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;There are some words that crumble if I try to define them. &lt;em&gt;Agency&lt;/em&gt; is one. I&amp;rsquo;ll try anyways, even though it feels a bit cringey: Agency is your ability to enforce your will on the world. This definition might sound authoritarian, but I don&amp;rsquo;t think it is. &amp;ldquo;Enforcing&amp;rdquo; takes multiple forms. A ruler enforcing their will upon subjects is definitely the authoritarian version. But can’t there be a collaborative version? Like encouraging or even persuading others? Walking the path for a few steps, then turning back and waving for others to join you?&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;There is a motto in software development that I really like: &amp;ldquo;If you want to go fast, go alone. If you want to go far, go together.&amp;rdquo; It highlights the importance of &lt;a href=&#34;https://interconnected.org/home/2026/01/30/efficacy&#34;&gt;collective agency&lt;/a&gt;. People getting together to build something is a powerful force that no individual can compete with,  no matter how &amp;ldquo;agentic&amp;rdquo; they are. Unfortunately we&amp;rsquo;ve buried this feeling. But it&amp;rsquo;s down there and always ready to be rekindled. Collectivity is the core of the human condition. We are collective beings. We help, influence, persuade, abuse and oppress each other. No matter what we want to accomplish, it involves &amp;ldquo;the other&amp;rdquo; in some way or another.&lt;/p&gt;
&lt;hr&gt;
&lt;p&gt;&lt;a href=&#34;https://www.jenn.site/donations-the-fifth-year/&#34;&gt;Jenn&lt;/a&gt; writes about this collectivity of Effective Altruists (EAs) choosing the most effective charities for donations. It used to involve arguments over complicated spreadsheets in forums. Choosing the most effective way to use money to help others was a collective effort. Now, this is left to &amp;ldquo;professionals&amp;rdquo; who curate lists for EAs to choose from. I don’t think being a middle-class philanthropist is what Effective Altruism is truly about.&lt;/p&gt;
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        <title>writing more</title>
        <link>https://hypersubject.net/posts/writing-more/</link>
        <pubDate>Sun, 08 Feb 2026 19:21:17 +0300</pubDate>
        <author>ege </author>
        <guid>https://hypersubject.net/posts/writing-more/</guid>
        <description>&lt;p&gt;At the beginning of this year, I decided to merge all things I wrote in different corners of the internet. After 5 weeks of that experiment, I decided otherwise. My old writings are worthy in their respective contexts. Visitors of this blog are probably not interested in technical posts about Kubernetes nor political posts about Turkey. And I am not interested in writing about them here.&lt;/p&gt;
&lt;p&gt;So, my Turkish writing will continue in &lt;a href=&#34;https://bengidoom.com&#34;&gt;bengidoom.com&lt;/a&gt; and technical posts in &lt;a href=&#34;https://ege.dev&#34;&gt;ege.dev&lt;/a&gt;. Deciding this was a relief—I don&amp;rsquo;t need to carry the baggage of old writings here. hypersubject.net is the home of a different persona of mine. A persona that I can use to be more personal and honest on the internet. A persona who can regularly hit publish.&lt;/p&gt;
&lt;p&gt;I decided to create this blog after reading about the &lt;a href=&#34;https://100daystooffload.com/&#34;&gt;100 Days To Offload&lt;/a&gt;. I thought I can write two blog posts in a week and at the end of 2026 I&amp;rsquo;ll have more than 100 posts. This sounds achievable, right? So far I wrote two posts in a week only once. So far the weekly post experiment is going well but I find it hard to write a post in the middle of the week. It&amp;rsquo;s hard not because it&amp;rsquo;s hard to find something to write about. It&amp;rsquo;s hard because things I decide to write for are too ambitious. I have these sitting in my writing backlog:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;Where is art?&lt;/em&gt;: Art is not about the attributes of the artwork but the position it occupies where art is presented. The status of the object as artwork is decided by the symbolic efficiency of the art institution and the symbolic capital of the artist.&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Politicism&lt;/em&gt;: The warning for Economism is a premature optimization as in &amp;ldquo;Premature optimization is the root of all evil.&amp;rdquo;&lt;/li&gt;
&lt;li&gt;&lt;em&gt;The Champion of Passivity&lt;/em&gt;: Assuming the role of the champion for a group of people might calcify their passivity.&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Filling the uncertainty with values&lt;/em&gt;: Ideology, as a map of values, is useful to fill the gap between the map and the territory. One should not fear to use ideology to fill the gap but also aim for reducing the uncertainty as much as possible.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;These are all topics I deeply care about. I want to write them well. I want to link these for years to come. I want others to link these. I want them to be groundbreaking. This desire is paralyzing. It&amp;rsquo;s paralyzing because I don&amp;rsquo;t have a regular practice of sitting and writing words. It feels like being put in a cage fight without doing any sparring first. I need to spar.&lt;/p&gt;
&lt;p&gt;&lt;code&gt;#100DaysToOffload&lt;/code&gt; is for sparring. Visakanv&amp;rsquo;s &lt;em&gt;100 things&lt;/em&gt; is also a sparring practice. It&amp;rsquo;s a practice of quantity over quality to get things started. I think when I decided to write two posts a week, one about a random topic and second for reflecting on the week itself, was too ambitious. Looks like I was thinking that I will only write one post during the week and it will be good.&lt;/p&gt;
&lt;p&gt;Writing only once a week has another major problem: I let the engine get cold. I went back to the studio for sculpting &lt;a href=&#34;https://hypersubject.net/posts/libres-ensemble/&#34;&gt;after a week in Brussels&lt;/a&gt;. It was a disaster. I spent two hours on the bust and every point I touched became worse than before. Then I went again the next day and made a lot of progress. Pausing harmed the process and only cure was doing more.&lt;/p&gt;
&lt;p&gt;During my career, a lot of junior engineers asked for advice to get better at programming. My advice varied from person to person but one thing was constant: &amp;ldquo;You need to write code.&amp;rdquo; I was jokingly saying &amp;ldquo;You have a lot of bad code in you. You need to vomit it out first to produce something good.&amp;rdquo; It&amp;rsquo;s funny that I don&amp;rsquo;t apply my own advice to my writing.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://univrsw3th4rt.blogspot.com/2026/02/we-have-daily-blogging-at-home.html&#34;&gt;universe sweetheart&lt;/a&gt; was talking about the practice of daily blogging yesterday. Her post contains the famous quote of Scott Alexander about daily blogging: &amp;ldquo;&lt;em&gt;Whenever I see a new person who blogs every day, it&amp;rsquo;s very rare that that never goes anywhere or they don&amp;rsquo;t get good. That&amp;rsquo;s like my best leading indicator for who&amp;rsquo;s going to be a good blogger.&lt;/em&gt;&amp;rdquo; The hardest thing about daily blogging is not finding a topic to write about. It&amp;rsquo;s structuring your day to allocate time and space for the practice. To write regularly one needs to have the habit of writing.&lt;/p&gt;
&lt;p&gt;See you tomorrow.&lt;/p&gt;
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        <title></title>
        <link>https://hypersubject.net/microposts/2026-02-06t101906/</link>
        <pubDate>Fri, 06 Feb 2026 10:19:06 +0300</pubDate>
        <author>ege </author>
        <guid>https://hypersubject.net/microposts/2026-02-06t101906/</guid>
        <description>&lt;p&gt;I decided to change the theme of the blog and go with something simpler. With this new theme, I now have a micropost section which I just &amp;lt;3.&lt;/p&gt;
</description>
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        <title>libres, ensemble.</title>
        <link>https://hypersubject.net/posts/libres-ensemble/</link>
        <pubDate>Wed, 04 Feb 2026 15:01:17 +0300</pubDate>
        <author>ege </author>
        <guid>https://hypersubject.net/posts/libres-ensemble/</guid>
        <description>&lt;p&gt;Richard Stallman had a Marxian effect on technology in the 1980s. He started
the Free Software movement. His ideas mobilized a vast number of programmers
and the ideology he initiated still has a great gravity in the software
ecosystem. Since the year 2000, thousands of developers travel to Brussels
every February like pilgrims for Free and Open Source Software Developers&#39;
European Meeting (FOSDEM). I am proud to be among the pilgrims for the second
year in a row.&lt;/p&gt;
&lt;p&gt;Stallman&amp;rsquo;s ideas had a tremendous effect on me. I was a law student when I
first read about him, free software and open source. Free software, as an
ideology, was the primary reason for my interest in programming. It was
rebellious, collective and a threat to the status quo. It was the right kind of
religion—as Kurt Vonnegut says: &amp;ldquo;A really good religion is a form of
treason.&amp;rdquo;&lt;sup id=&#34;fnref:1&#34;&gt;&lt;a href=&#34;#fn:1&#34; class=&#34;footnote-ref&#34; role=&#34;doc-noteref&#34;&gt;1&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt;
&lt;figure&gt;&lt;img src=&#34;https://hypersubject.net/images/libres-ensemble/cover.png&#34; width=&#34;400&#34;&gt;
&lt;/figure&gt;

&lt;p&gt;In the halls of Free University of Brussels, thousands of developers gather
around to hoard swag from open source companies, write &amp;ldquo;Fuck Off Google&amp;rdquo; on the
walls and talk about technology. If you ask them about their interest in free
and open source software, they&amp;rsquo;ll mention things like &amp;ldquo;innovation&amp;rdquo;,
&amp;ldquo;community&amp;rdquo;, &amp;ldquo;privacy&amp;rdquo; and &amp;ldquo;freedom&amp;rdquo;. But if you dig enough you&amp;rsquo;ll see that
their—our—reason distills into simply &amp;ldquo;being on the right side of history&amp;rdquo;.&lt;/p&gt;
&lt;p&gt;This is why the free and open source community&lt;sup id=&#34;fnref:2&#34;&gt;&lt;a href=&#34;#fn:2&#34; class=&#34;footnote-ref&#34; role=&#34;doc-noteref&#34;&gt;2&lt;/a&gt;&lt;/sup&gt; resembles Marxists to me.
It&amp;rsquo;s a community formed around an ideology that is rational, progressive and
collective and it is unapologetically resistant even in the hardest moments
because &amp;ldquo;what they stand for is just right.&amp;rdquo; I am a proud member of this
community and I truly believe my employer is a bastion of open source software.
I hope to be in Brussels many more years and I hope FOSDEM continues for many
more years after I pass away.&lt;/p&gt;
&lt;div class=&#34;footnotes&#34; role=&#34;doc-endnotes&#34;&gt;
&lt;hr&gt;
&lt;ol&gt;
&lt;li id=&#34;fn:1&#34;&gt;
&lt;p&gt;Kurt Vonnegut, Cat&amp;rsquo;s Cradle&amp;#160;&lt;a href=&#34;#fnref:1&#34; class=&#34;footnote-backref&#34; role=&#34;doc-backlink&#34;&gt;&amp;#x21a9;&amp;#xfe0e;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li id=&#34;fn:2&#34;&gt;
&lt;p&gt;Free software is to open source what Marxism is to social democracy.&amp;#160;&lt;a href=&#34;#fnref:2&#34; class=&#34;footnote-backref&#34; role=&#34;doc-backlink&#34;&gt;&amp;#x21a9;&amp;#xfe0e;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;/div&gt;
</description>
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        <title>it&#39;s okay</title>
        <link>https://hypersubject.net/posts/its-okay/</link>
        <pubDate>Mon, 26 Jan 2026 19:11:17 +0300</pubDate>
        <author>ege </author>
        <guid>https://hypersubject.net/posts/its-okay/</guid>
        <description>&lt;p&gt;Weekends feel busier than weekdays lately. Time flew, and I just noticed that I didn&amp;rsquo;t manage to finish this week&amp;rsquo;s post. This was bound to happen. It&amp;rsquo;s okay. Shhh&amp;hellip; it&amp;rsquo;s okay. IT&amp;rsquo;S OKAY! Discipline is not punching yourself into the mold of a wireheaded soldier. Discipline is the ability to flow around, between, and through various slip-ups. Discipline is persistently looking at the horizon. Okay, I needed this pep talk.&lt;/p&gt;
&lt;p&gt;&lt;a href=&#34;https://x.com/DreamSeyyah&#34;&gt;Kerey&lt;/a&gt; persuaded me to give twitter&lt;sup id=&#34;fnref:1&#34;&gt;&lt;a href=&#34;#fn:1&#34; class=&#34;footnote-ref&#34; role=&#34;doc-noteref&#34;&gt;1&lt;/a&gt;&lt;/sup&gt; another chance. He said it&amp;rsquo;s still filled with interesting people (true) and there is still a chance to have meaningful connections with them (also true). My friendship with him started on twitter. Since we met, we&amp;rsquo;ve published four &lt;a href=&#34;https://ucanessek.com&#34;&gt;zine&lt;/a&gt; issues together and writing about vastly different things. It&amp;rsquo;s more or less clear that our friendship and creative collaboration did not stem from shared interests or aligned worldviews; they stemmed from the infamous tpot.&lt;/p&gt;
&lt;p&gt;Anyway, I decided to give it a chance—as I usually do— scrolled a bit, and even tweeted &lt;a href=&#34;https://x.com/dpinkshadow/status/2014300171266400277&#34;&gt;something&lt;/a&gt; from the hip. Another banger, another only-liked-by-kerey tweet. It felt familiar, even nostalgic.&lt;/p&gt;
&lt;p&gt;The timeline made me feel like I traveled back to 2023. It&amp;rsquo;s crazy how the discourse sounds exactly the same. Rival dunking on Nietzsche to farm engagement, visa continuing to weave elaborate webs by qting himself (and he follows zero people now—wow), lumpen chaining words together that don&amp;rsquo;t mean anything to me. It&amp;rsquo;s all the same and yet all alienating.&lt;/p&gt;
&lt;p&gt;However, as usual, I got something from doing the thing I resisted: universe sweetheart started a &lt;a href=&#34;https://univrsw3th4rt.blogspot.com/&#34;&gt;blog&lt;/a&gt;. We were following each other with her for a long time, but I don&amp;rsquo;t think &lt;a href=&#34;https://x.com/dpinkshadow/status/1868285553835168216&#34;&gt;we ever been moots&lt;/a&gt;. I&amp;rsquo;m happy that I&amp;rsquo;ll be able to read her stuff outside of twitter.&lt;/p&gt;
&lt;p&gt;Some links I enjoyed this week:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;a href=&#34;https://thisecommercelife.com/blogs/comics/the-story-of-ai&#34;&gt;The Story of AI&lt;/a&gt;: The real threat of AI is much more mundane than Terminator-like scenarios.&lt;/li&gt;
&lt;li&gt;&lt;a href=&#34;https://www.joanwestenberg.com/a-metabolic-workspace/&#34;&gt;A Metabolic Workspace&lt;/a&gt;: The author is definitely on something there. But, still, something rubs me the wrong way. First, another productivity post showcasing a process that has only been running for a few weeks. Second, it focuses too much on opposing the concept of Second Brain. I don&amp;rsquo;t see my Obsidian vault as a second brain; my notes are a garden where I plant whatever is salient to me. Yes, things I stop nurturing die and rot, but that&amp;rsquo;s part of the process. They turn into compost. I like documenting what mattered at the time. Nevertheless, it&amp;rsquo;s a good post that forced me to reflect on my own note-taking processes.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Anyway, I&amp;rsquo;ll be in Brussels, Belgium, from Wednesday, January 28 to Monday, February 2 for FOSDEM. Wanna grab a coffee? Find a way to contact me (there are plenty of options).&lt;/p&gt;
&lt;div class=&#34;footnotes&#34; role=&#34;doc-endnotes&#34;&gt;
&lt;hr&gt;
&lt;ol&gt;
&lt;li id=&#34;fn:1&#34;&gt;
&lt;p&gt;Maybe I should stop calling it twitter and start calling it X. It&amp;rsquo;s clearly not twitter anymore, and I feel like there&amp;rsquo;s no point in taking this stance anymore.&amp;#160;&lt;a href=&#34;#fnref:1&#34; class=&#34;footnote-backref&#34; role=&#34;doc-backlink&#34;&gt;&amp;#x21a9;&amp;#xfe0e;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;/div&gt;
</description>
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        <title>The Art of Giving a Fuck</title>
        <link>https://hypersubject.net/posts/giving-a-fuck/</link>
        <pubDate>Sun, 18 Jan 2026 22:30:17 +0300</pubDate>
        <author>ege </author>
        <guid>https://hypersubject.net/posts/giving-a-fuck/</guid>
        <description>&lt;p&gt;This was a busy week and an even busier weekend.&lt;/p&gt;
&lt;p&gt;I started my first bust this week. The number of details on a human face is crazy. And what&amp;rsquo;s hard about reflecting all those details on the clay is not the technique but actually noticing them. Making art requires a lot of noticing. Noticing requires giving a fuck. You need to give a fuck to create something. But too much of it can also paralyze you. There&amp;rsquo;s a fine balance between giving a fuck and letting go and allowing yourself to create something messy.&lt;/p&gt;
&lt;p&gt;This week I also needed to write a lengthy political report. I don&amp;rsquo;t know why (and how) but writing feels a bit easier nowadays. Jotting down loose ideas for myself was always easy but writing something with a clear thesis? For others to read? That would paralyze me in a second. But it didn&amp;rsquo;t. I feel like I&amp;rsquo;ve finally started to learn to articulate myself. It feels good.&lt;/p&gt;
&lt;p&gt;Another thing I enjoyed this week was playing &lt;a href=&#34;https://store.steampowered.com/app/1568590/Goose_Goose_Duck/&#34;&gt;Goose Goose Duck&lt;/a&gt;. A lot of hilarious moments and a lot of laughter.&lt;/p&gt;
</description>
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        <title>OtonomArt, Ernest Cole and audiobooks</title>
        <link>https://hypersubject.net/posts/otonomart-ernestcole-audiobooks/</link>
        <pubDate>Sun, 11 Jan 2026 16:42:17 +0300</pubDate>
        <author>ege </author>
        <guid>https://hypersubject.net/posts/otonomart-ernestcole-audiobooks/</guid>
        <description>&lt;h2 id=&#34;otonomart&#34;&gt;OtonomArt&lt;/h2&gt;
&lt;p&gt;I finally did it. I finally found a tutor for sculpting. Actually, what I found is much bigger than just a tutor. I found a workshop, a collective, a mirage in the middle of the desert. Actually&amp;hellip; in the middle of an industrial zone.&lt;/p&gt;
&lt;p&gt;On Friday I went to &lt;a href=&#34;https://www.otonomart.com/&#34;&gt;OtonomArt&lt;/a&gt; for an introductory sculpting class. I made this relief with mud:&lt;/p&gt;
&lt;figure&gt;&lt;img src=&#34;https://hypersubject.net/images/otonomart-ernestcole-audiobooks/relief.jpeg&#34; width=&#34;300&#34;&gt;
&lt;/figure&gt;

&lt;p&gt;Starting next week I&amp;rsquo;ll go there twice a week. Finally I have a space for sculpting and hopefully will have a regular practice throughout the year. I am going to enter 2027 as a sculptor.&lt;/p&gt;
&lt;h2 id=&#34;ernest-cole-lost-and-found&#34;&gt;Ernest Cole: Lost and Found&lt;/h2&gt;
&lt;figure&gt;&lt;img src=&#34;https://m.media-amazon.com/images/M/MV5BZmY4ZmM0ZjYtMjE3MC00MTlkLTkxZjYtNWJhNDVjNTIwNTQwXkEyXkFqcGc@._V1_FMjpg_UX999_.jpg&#34; width=&#34;300&#34;&gt;
&lt;/figure&gt;

&lt;p&gt;On Saturday we saw &lt;a href=&#34;https://www.magpictures.com/ernestcole/&#34;&gt;a documentary&lt;/a&gt; about Ernest Cole, a South African photographer who took thousands of photographs exposing the sheer horror of the apartheid regime. The documentary tells the story of 60 thousand negatives mysteriously found in a safe of a Swedish bank. Who put them in this safe, who paid for them all these years is still a mystery. It was not clear to me if this was a conspiracy to hide those photos from public or simply an act of goodwill to protect Cole&amp;rsquo;s legacy. The documentary is somewhat ambiguous about this.&lt;/p&gt;
&lt;p&gt;Last November I visited &lt;a href=&#34;https://www.212photographyistanbul.com/sergiler/the-haunted-eye&#34;&gt;an exhibition&lt;/a&gt; of Steve McCurry&amp;rsquo;s photographs. The photos he took in Kuwait during The Gulf War made me think &amp;ldquo;wow, &lt;a href=&#34;https://en.wikipedia.org/wiki/The_Gulf_War_Did_Not_Take_Place&#34;&gt;The Gulf War did happen&lt;/a&gt;&amp;rdquo;. These photos were not about the military power of USA nor the destruction of Kuwait. They were about the dust and smoke obstructing the sun, camels hastily running away from conflict zone and grenades that didn&amp;rsquo;t explode. They were images, yes, but they were taken within the cracks of the spectacle.&lt;/p&gt;
&lt;p&gt;Ernest Cole&amp;rsquo;s photography made me feel similar about the apartheid. Photos he took were not about the cruel treatment of Africans by white colonialists. They weren&amp;rsquo;t victimizing Africans and evoking pity. They were exposing the sheer truth of daily life in South Africa, documenting the regular treatment of blacks by whites. Signs on walls that say &amp;ldquo;whites only&amp;rdquo;, an escalator that says &amp;ldquo;Goods &amp;amp; Blacks&amp;rdquo;, how a white person looks at a young black man interrogated by the police. These everyday moments were what constituted the ideological fabric of the apartheid regime.&lt;/p&gt;
&lt;h2 id=&#34;audiobooks&#34;&gt;Audiobooks&lt;/h2&gt;
&lt;p&gt;I was not a believer in audiobooks before this week. Many friends recommended me to listen to them but I never knew how. I don&amp;rsquo;t like walking outside with my headphones. I don&amp;rsquo;t use headphones at the gym. When can I find time and space where I can listen to a book?&lt;/p&gt;
&lt;p&gt;Last week one of my colleagues said that he listens to books while brewing coffee. That clicked. I spend at least 30 minutes a day brewing coffee and sometimes I like to watch youtube videos while brewing. I could simply replace youtube with an audiobook and I did.&lt;/p&gt;
&lt;p&gt;I&amp;rsquo;m now listening to Heart of a Dog by Mikhail Bulgakov. I listened it only while brewing coffee or unloading the dishwasher and today I finished 60% of the book. This is not something I can do for non-fiction because I like to highlight and take notes but for fiction it makes sense and is enjoyable.&lt;/p&gt;
</description>
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        <title>The Great Vibepression</title>
        <link>https://hypersubject.net/posts/the-great-vibepression/</link>
        <pubDate>Mon, 05 Jan 2026 23:24:17 +0300</pubDate>
        <author>ege </author>
        <guid>https://hypersubject.net/posts/the-great-vibepression/</guid>
        <description>&lt;p&gt;Why are vibes so bad when economic metrics don&amp;rsquo;t look that bad? &lt;a href=&#34;https://www.astralcodexten.com/p/vibecession-much-more-than-you-wanted&#34;&gt;Scott Alexander&lt;/a&gt; tries to find an answer to this question. &lt;a href=&#34;https://thezvi.wordpress.com/2025/12/22/the-revolution-of-rising-expectations/&#34;&gt;Zvi&lt;/a&gt; too.&lt;/p&gt;
&lt;p&gt;I have a great respect for Scott and Zvi. Their rationality and ability to deduce answers from the empirical data are important. However, I am not as rational as they are, so I can only talk about the &amp;ldquo;vibe&amp;rdquo; side of things.&lt;/p&gt;
&lt;p&gt;Analyzing the &amp;ldquo;vibecession&amp;rdquo; —or the Great Vibepression—through the lens of empirical data presents a problem: data is necessarily historical, while the vibecession is about the future. The future is, by definition, uncharted and unquantifiable. One can only sense the future, and what we sense is impending doom.&lt;/p&gt;
&lt;figure&gt;&lt;img src=&#34;https://hypersubject.net/images/the-great-vibepression/cover.jpeg&#34; width=&#34;300&#34;&gt;
&lt;/figure&gt;

&lt;p&gt;I think it&amp;rsquo;s uncharitable to see &amp;ldquo;high&amp;rdquo; expectations of younger generations as the main reason of the vibepression. High relative to what? And high for whom? Older generations and the majority of participants of vibepression discourse had time. They had chance to show up, do their work, save money and slowly accumulate wealth. They had that kind of deal with the system. &lt;a href=&#34;https://x.com/systematicls/status/2004900241745883205/&#34;&gt;That deal is dead.&lt;/a&gt; Do I really have time on my hands? Considering the hyperobjects of our time, I need safety. Safety requires money. I can not defer this requirement to future. I am deeply uncertain about what future will bring.&lt;/p&gt;
&lt;p&gt;Ukrainians had all their lives upside down in a day. The war has been going on for 4 years now. Israel hastened the genocide. They hit Iran multiple times. When the time comes they will hit again and probably harder this time. There were armed skirmishes between India and Pakistan. Thailand and Cambodia are once again on brink of war. USA abducted Maduro from Venezuela. They now threaten Cuba and Greenland. The world order was fairly successful to isolate conflicts, especially to Middle East. Now armed conflicts are in every continent. All countries are increasing the military spendings. One doesn&amp;rsquo;t need to be Jung to &lt;a href=&#34;http://www.worlddreambank.org/J/JUNG-WWI.HTM&#34;&gt;sense the incoming Great War&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Even if don&amp;rsquo;t start killing each other with high end technological weapons or exterminate ourselves with nuclear bombs, there is also AI on the table. Leaving the existential risk aside&lt;sup id=&#34;fnref:1&#34;&gt;&lt;a href=&#34;#fn:1&#34; class=&#34;footnote-ref&#34; role=&#34;doc-noteref&#34;&gt;1&lt;/a&gt;&lt;/sup&gt;, it&amp;rsquo;s clear that it&amp;rsquo;ll lead to end of most jobs. Maybe not in a year, maybe not in two but soon enough to know that I am going to face the consequences. I&amp;rsquo;m a software developer with 8 years of experience. I am confident with my engineering skills. I know that I&amp;rsquo;m in a very good position and most likely will be able to find a place for myself in the industry. However, I&amp;rsquo;m not sure if I want to be a mere project manager for AI agents.&lt;/p&gt;
&lt;p&gt;I am a socialist. This means I am ideologically invested in the idea of societal collapse &lt;a href=&#34;https://knowyourmeme.com/memes/i-cant-wait-for-society-to-collapse-so-my-ideology-can-rise-from-the-ashes&#34;&gt;because it might lead to the collapse of capitalism&lt;/a&gt;. I might be over-indexing these threats. Maybe everything will turn out to be great. But the world around me right now feels like a Nick Land wet dream. I want my life and I want it &lt;em&gt;now&lt;/em&gt;.&lt;/p&gt;
&lt;div class=&#34;footnotes&#34; role=&#34;doc-endnotes&#34;&gt;
&lt;hr&gt;
&lt;ol&gt;
&lt;li id=&#34;fn:1&#34;&gt;
&lt;p&gt;Although even Sam Altman is shamelessly saying that &amp;ldquo;&lt;a href=&#34;https://youtube.com/shorts/YE5adUeTe_I?si=GXSoI8-onroBSFCl&#34;&gt;AI will most likely lead to the end of the world&lt;/a&gt;&amp;rdquo;.&amp;#160;&lt;a href=&#34;#fnref:1&#34; class=&#34;footnote-backref&#34; role=&#34;doc-backlink&#34;&gt;&amp;#x21a9;&amp;#xfe0e;&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;/div&gt;
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        <title>hypersubject.net and sculpting</title>
        <link>https://hypersubject.net/posts/hypersjubject-and-sculpting/</link>
        <pubDate>Sun, 04 Jan 2026 12:33:17 +0300</pubDate>
        <author>ege </author>
        <guid>https://hypersubject.net/posts/hypersjubject-and-sculpting/</guid>
        <description>&lt;p&gt;I&amp;rsquo;m excited for 2026.&lt;/p&gt;
&lt;p&gt;2025 was a good year for me. After quitting my startup, which was going nowhere, at the end of 2024, I entered 2025 rejuvenated. As a result I read more, experimented more, travelled more, did more&amp;hellip; I feel like 2025 was a stepping stone for 2026.&lt;/p&gt;
&lt;p&gt;What I was up to in the first week of 2026?&lt;/p&gt;
&lt;h3 id=&#34;hypersubjectnet&#34;&gt;hypersubject.net&lt;/h3&gt;
&lt;p&gt;My online presence is highly fragmented.&lt;/p&gt;
&lt;p&gt;I have a personal and &amp;ldquo;professional&amp;rdquo; web site at &lt;a href=&#34;https://ege.dev&#34;&gt;https://ege.dev&lt;/a&gt; where I mostly post my technical writings. I also have a content type that I call &amp;ldquo;beats&amp;rdquo; which are unlisted, they only show up in the RSS feed. I was using beats to post short form updates that are usually personal. I have a photo gallery at that site as well.&lt;/p&gt;
&lt;p&gt;Another blog I have is &lt;a href=&#34;https://bengidoom.com&#34;&gt;https://bengidoom.com&lt;/a&gt;. I have been putting my Turkish writing at this blog for some time. Writings there are mostly political. My thinking is also mostly political.&lt;/p&gt;
&lt;p&gt;I have had two twitter accounts since 2023. &lt;a href=&#34;https://x.com/dpinkshadow&#34;&gt;One&lt;/a&gt; where I was posting in English and engaging with a twitter scene called TPOT, and &lt;a href=&#34;https://x.com/bengidoom&#34;&gt;the other&lt;/a&gt; where I was posting in Turkish and engaging with political scene in Turkey. I abandoned both of them. I joined twitter at a time when I needed connection with others and these accounts served their purpose. Now they just make me feel &lt;em&gt;disconnected&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;I was always wary about putting my &amp;ldquo;real&amp;rdquo; identity out there. That&amp;rsquo;s why I heavily compartmentalized my online presence. What if people make fun of my writing? What if I write something dumb? It was easier to hide behind a mask. Turns out this problem of self-confidence is not something you can get away with putting on a mask. &lt;em&gt;&amp;ldquo;Only way out is through.&amp;rdquo;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;hypersubject.net is my attempt to have an unified space on the internet. I (almost) merged everything into a single place in the last two days. I say almost because there is still work to do. I still need to put my photo gallery here for example. &lt;em&gt;No rush, the year is still young.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;In 2026, I want to explore the indieweb and fediverse. hypersubject.net is just the first step.&lt;/p&gt;
&lt;h3 id=&#34;sculpting&#34;&gt;Sculpting&lt;/h3&gt;
&lt;p&gt;Last year I visited Louvre and Musée d&amp;rsquo;Orsay in Paris. I was fascinated by many sculptures, especially the works of Auguste Rodin and Paul Gauguin. When we returned to Istanbul, while buying a gift for a friend, I also bought some modelling clay for myself on a whim.&lt;/p&gt;
&lt;p&gt;In 2025 I did a few sculptures. They are not good. But making them was fun. And that&amp;rsquo;s the important part. I had the same experience when I started programming when I was 19. It was hard, I was not immediately good at it, but it was fun.&lt;/p&gt;
&lt;p&gt;This week I did three more sculptures. They are not good but each one is the best I have done so far. I&amp;rsquo;m excited to do more in 2026.&lt;/p&gt;
&lt;p&gt;Also, my friends gifted me a book about sculpting for new year: Passages in Modern Sculpture by Rosalind Krauss. I am very excited to read it after finishing the current book I&amp;rsquo;m reading.&lt;/p&gt;
&lt;h3 id=&#34;venezuela&#34;&gt;Venezuela&lt;/h3&gt;
&lt;p&gt;I was sickened by the news from Venezuela yesterday. Imperial war machine is on the move.&lt;/p&gt;
&lt;p&gt;I understand the sentiment of some Venezuelans I read online: Maduro was not a benevolent leader of Venezuelans. At his best, he was just like our Erdoğan. But I don&amp;rsquo;t believe that the USA&amp;rsquo;s intervention will bring anything good to Venezuela and its people. If anything, this will only produce more Maduros.&lt;/p&gt;
&lt;p&gt;The abduction of Maduro was a shameless act. We have been living in a shameless world for some time now; there is no agency that can induce shame. There is no agency that can force countries to play diplomatically or find excuses for their imperialistic ambitions. Israel&amp;rsquo;s genocide in Gaza was the last blow and with that the glass is shattered. &lt;em&gt;There is no big Other.&lt;/em&gt; Or, in Dostoevsky&amp;rsquo;s words &amp;ldquo;If there is no God, everything is permitted.&amp;rdquo;&lt;/p&gt;
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        <title>we must reclaim the cyberspace</title>
        <link>https://hypersubject.net/posts/we-must-reclaim-the-cyberspace/</link>
        <pubDate>Thu, 01 Jan 2026 12:33:17 +0300</pubDate>
        <author>ege </author>
        <guid>https://hypersubject.net/posts/we-must-reclaim-the-cyberspace/</guid>
        <description>&lt;p&gt;&lt;strong&gt;The internet I grew up in no longer exists.&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The internet, with its hyper-fast communication flows, was meant to enable the
new golden age for humanity. We were promised to have a global village where
tribes transcend the limitations of geography. We could find our people
wherever they were. Our ideas, our niche interests were supposed to connect us
with others in the vast network of nodes. If, only if, we can discover them.&lt;/p&gt;
&lt;p&gt;Instead, what we got is the commodification of communication. The connection
that was promised to us has been reformatted in terms of the market: &amp;ldquo;How can a
practice, experience, or feeling be monetized?&amp;rdquo; Yes, discoverability is solved
thanks to search engines and social media platforms. But now we connect, not to
each other, but to the algorithm. We no longer contribute ideas to each other,
but to the circulation of the &amp;ldquo;content&amp;rdquo;.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;We must reclaim the cyberspace.&lt;/strong&gt;&lt;/p&gt;
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